
PROJECT
Thingyan Festival
TYPE
Visual Identity
UI (Mobile & Web)
YEAR
2023
Thingyan (meaning “change” in Burmese)—also known as the Burmese Water Festival—is an annual cultural practice that celebrates the New Year in Myanmar (Burma). It is a time of meritorious deeds, renewal, and prosperity, involving a splashing or dousing of water to symbolize the cleansing of sins and immoralities accumulated from the previous year.
The identity—including the landing webpage and physical/digital tickets—blends tradition with modernity, drawing inspiration from vintage Burmese mythology and stamps, while incorporating vibrant, kaleidoscopic photography taken and edited by me.
Alternative approaches to the poster design included abstract and representational approaches (respectively, see below), but were ultimately discarded in favor of a symbolic approach.




PROJECT
Dhaka Pictures
TYPE
Poster
YEAR
2026
Dhaka Pictures was an exhibition held at She Said Gallery showcasing photographer Shebonti Khandaker’s work taken in Dhaka, Bangladesh. The poster was shared on Instagram as well as installed on site at the exhibit.





PROJECT
Elo Melo
TYPE
Zine
YEAR
2025
Elo Melo (এলো মেলো) is a compilation of 35mm film photos of Bangladesh taken by photographer Shebonti Khandaker. Meaning ‘messy/in disarray’ in Bangla, Elo Melo is a love letter to the chaotic colours, motions, and sensations of Khandaker’s quicksilver country.



PROJECT
Dhaka Night
TYPE
Poster
YEAR
2025
Dhaka Night is a tactile, filmic meditation on the pulse of the city after dark (shot on Super 8 by Shebonti Khandaker) exhibited at the Trinity Square Video vitrine from October to November 2025. The poster reflects the textures of the frames, evoking a dreamlike temporality akin to the film itself.


PROJECT
Bus Stop
TYPE
Poster
YEAR
2025
Dhaka Night is a tactile, filmic meditation on the pulse of the city after dark (shot on Super 8 by Shebonti Khandaker) exhibited at the Trinity Square Video vitrine from October to November 2025. The poster reflects the textures of the frames, evoking a dreamlike temporality akin to the film itself.





PROJECT
Bus Stop
TYPE
Poster
YEAR
2025
Dhaka Night is a tactile, filmic meditation on the pulse of the city after dark (shot on Super 8 by Shebonti Khandaker) exhibited at the Trinity Square Video vitrine from October to November 2025. The poster reflects the textures of the frames, evoking a dreamlike temporality akin to the film itself.



PROJECT
Bus Stop
TYPE
Poster
YEAR
2025
Dhaka Night is a tactile, filmic meditation on the pulse of the city after dark (shot on Super 8 by Shebonti Khandaker) exhibited at the Trinity Square Video vitrine from October to November 2025. The poster reflects the textures of the frames, evoking a dreamlike temporality akin to the film itself.



PROJECT
Modernity: The Art of Protest in Graphic Design
TYPE
Publication
YEAR
2022
Essay I wrote and designed about protest graphic design as a defining characteristic of modernity.
PROJECT
Modernity: The Art of Protest in Graphic Design
TYPE
Publication
YEAR
2022
Essay I wrote and designed about protest graphic design as a defining characteristic of modernity.
PROJECT
Sonic Essay
TYPE
Sound Mixing
YEAR
2022
Essay I wrote and designed about protest graphic design as a defining characteristic of modernity.