PROJECT

Thingyan Festival

TYPE

Visual Identity

UI (Mobile & Web)

YEAR

2023

Thingyan (meaning “change” in Burmese)—also known as the Burmese Water Festival—is an annual cultural practice that celebrates the New Year in Myanmar (Burma). It is a time of meritorious deeds, renewal, and prosperity, involving a splashing or dousing of water to symbolize the cleansing of sins and immoralities accumulated from the previous year.


The identity—including the landing webpage and physical/digital tickets—blends tradition with modernity, drawing inspiration from vintage Burmese mythology and stamps, while incorporating vibrant, kaleidoscopic photography taken and edited by me.


Alternative approaches to the poster design included abstract and representational approaches (respectively, see below), but were ultimately discarded in favor of a symbolic approach.

PROJECT

Dhaka Pictures

TYPE

Poster

YEAR

2026

Dhaka Pictures was an exhibition held at She Said Gallery showcasing photographer Shebonti Khandaker’s work taken in Dhaka, Bangladesh. The poster was shared on Instagram as well as installed on site at the exhibit.

PROJECT

Elo Melo

TYPE

Zine

YEAR

2025

Elo Melo (এলো মেলো) is a compilation of 35mm film photos of Bangladesh taken by photographer Shebonti Khandaker. Meaning ‘messy/in disarray’ in Bangla, Elo Melo is a love letter to the chaotic colours, motions, and sensations of Khandaker’s quicksilver country.



PROJECT

Dhaka Night

TYPE

Poster

YEAR

2025

Dhaka Night is a tactile, filmic meditation on the pulse of the city after dark (shot on Super 8 by Shebonti Khandaker) exhibited at the Trinity Square Video vitrine from October to November 2025. The poster reflects the textures of the frames, evoking a dreamlike temporality akin to the film itself.

PROJECT

Bus Stop

TYPE

Poster

YEAR

2025

Dhaka Night is a tactile, filmic meditation on the pulse of the city after dark (shot on Super 8 by Shebonti Khandaker) exhibited at the Trinity Square Video vitrine from October to November 2025. The poster reflects the textures of the frames, evoking a dreamlike temporality akin to the film itself.

PROJECT

Bus Stop

TYPE

Poster

YEAR

2025

Dhaka Night is a tactile, filmic meditation on the pulse of the city after dark (shot on Super 8 by Shebonti Khandaker) exhibited at the Trinity Square Video vitrine from October to November 2025. The poster reflects the textures of the frames, evoking a dreamlike temporality akin to the film itself.

PROJECT

Bus Stop

TYPE

Poster

YEAR

2025

Dhaka Night is a tactile, filmic meditation on the pulse of the city after dark (shot on Super 8 by Shebonti Khandaker) exhibited at the Trinity Square Video vitrine from October to November 2025. The poster reflects the textures of the frames, evoking a dreamlike temporality akin to the film itself.

PROJECT

Modernity: The Art of Protest in Graphic Design

TYPE

Publication

YEAR

2022

Essay I wrote and designed about protest graphic design as a defining characteristic of modernity.

PROJECT

Modernity: The Art of Protest in Graphic Design

TYPE

Publication

YEAR

2022

Essay I wrote and designed about protest graphic design as a defining characteristic of modernity.

PROJECT

Sonic Essay

TYPE

Sound Mixing

YEAR

2022

Essay I wrote and designed about protest graphic design as a defining characteristic of modernity.

JOCELYN

ZIN

©

2026